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Vlad Pislaru
Trevor Schentag
Andrea Senyk
Julie Leblanc
IMPACT ON THE POPULAR CULTURE
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Impact on popular culture
The Lord of the Rings
has had a profound and wide-ranging impact on
popular culture
, from its publication in the 1950s, but especially throughout the 1960s and 1970s, where young people embraced it as a
countercultural
saga
[
58
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-57
|]]] - "
Frodo Lives!
" and "Gandalf for President" were two phrases popular among American
Tolkien fans
during this time.
[
59
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-58
|]]]
Parodies like the
Harvard Lampoon
's
Bored of the Rings
, the
VeggieTales
episode
Lord of the Beans
, the
South Park
episode
The Return of the Fellowship of the Ring to the Two Towers
, and the
Internet meme
The Very Secret Diaries
[
60
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-Telegraph-59
|]]]
[
61
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-TheAge-60
|]]] are testimony to the work's continual presence in popular culture.
In 1969 Tolkien sold the merchandising rights to
The Lord of The Rings
(and
The Hobbit
) to
United Artists
under an agreement stipulating a lump sum payment of £10,000
[
62
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-61
|]]] plus a 7.5% royalty after costs, payable to Allen & Unwin and the author.
[
63
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-62
|]]] In 1976 (three years after the author's death) United Artists sold the rights to
Saul Zaentz
Company, who trade as
Tolkien Enterprises
. Since then all "authorised" merchandise has been signed-off by Tolkien Enterprises, although the
intellectual property rights
of the specific likenesses of characters and other imagery from various adaptations is generally held by the adaptors.
[
64
[[
http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-63
|]]] Outside any commercial exploitation from adaptations, from the late 1960s onwards there has been an increasing variety of original licensed merchandise, from posters and calendars created by illustrators such as
Pauline Baynes
and the
Brothers Hildebrandt
, to figurines and miniatures to
computer, video
,
tabletop
and
role-playing
games. Recent examples include the
Spiel des Jahres award winning
(for
best use of literature in a game
) board game
The Lord of the Rings
by
Reiner Knizia
and the
Golden Joystick award winning
massively multiplayer online role-playing game
,
The Lord of the Rings Online: Shadows of Angmar
by
Turbine, Inc.
.
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Impact on popular culture
The Lord of the Rings has had a profound and wide-ranging impact on popular culture, from its publication in the 1950s, but especially throughout the 1960s and 1970s, where young people embraced it as a countercultural saga[58[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-57|]]] - "Frodo Lives!" and "Gandalf for President" were two phrases popular among American Tolkien fans during this time.[59[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-58|]]]Parodies like the Harvard Lampoon's Bored of the Rings, the VeggieTales episode Lord of the Beans, the South Park episode The Return of the Fellowship of the Ring to the Two Towers, and the Internet meme The Very Secret Diaries[60[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-Telegraph-59|]]][61[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-TheAge-60|]]] are testimony to the work's continual presence in popular culture.
In 1969 Tolkien sold the merchandising rights to The Lord of The Rings (and The Hobbit) to United Artists under an agreement stipulating a lump sum payment of £10,000[62[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-61|]]] plus a 7.5% royalty after costs, payable to Allen & Unwin and the author.[63[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-62|]]] In 1976 (three years after the author's death) United Artists sold the rights to Saul Zaentz Company, who trade as Tolkien Enterprises. Since then all "authorised" merchandise has been signed-off by Tolkien Enterprises, although the intellectual property rights of the specific likenesses of characters and other imagery from various adaptations is generally held by the adaptors.[64[[http://en.wikipedia.org/wiki/Lord_of_the_ring#cite_note-63|]]] Outside any commercial exploitation from adaptations, from the late 1960s onwards there has been an increasing variety of original licensed merchandise, from posters and calendars created by illustrators such as Pauline Baynes and the Brothers Hildebrandt, to figurines and miniatures to computer, video, tabletop and role-playing games. Recent examples include the Spiel des Jahres award winning (for best use of literature in a game) board game The Lord of the Rings by Reiner Knizia and the Golden Joystick award winning massively multiplayer online role-playing game, The Lord of the Rings Online: Shadows of Angmar by Turbine, Inc..